Bad Writing Advice

An overwhelmed new writer recently asked me for advice on writing a book. Since “One word at a time, until you reach the end” wasn’t particularly helpful–though 100% true–I thought a few blog posts on the topic may be helpful.

There are countless resources out there, from craft books to websites to podcasts, but there’s also a ton of bad advice floating around. So, we’ll start there.

BAD ADVICE: 

On Writing:

  1. You have to/can’t start with a bang.
  2. You have to/can’t have a prologue.
  3. You have to/can’t write in 1st person, 3rd person, present tense, past tense, etc.
  4. You can not use contractions.
  5. No incomplete sentences.
  6. Never use the word “was.”
  7. Never use the word “that.”
  8. Never use an adverb.
  9. Always show, never tell.
  10. Use unique dialogue tags instead of “said.”
  11. Write what you know (everyone knows only vampires can write about vampires!).
  12. Never work on more than one project at a time.

On Publishing:

  1. Query publishers and agents before writing even one sentence of the book; that way you’ll know if there’s interest. (Yeah, no. Don’t do that.)
  2. You have to have an MFA to get published. (I don’t even know where this idea comes from. The vast majority of writers do not have an MFA. If you want to go to school, go to school. I’m sure MFA programs are useful, but a degree is definitely not a requirement for selling a book–nor is it a guarantee that you’ll ever be traditionally published).
  3. Self-publishing is easier and you’ll make more money. (Most writers who self-publish make no money at all. Some make a great deal of money–but they put in a ton of time and work (and money up front). It’s not easy).
  4. Quit your day job; you’re a writer now! (Absolutely don’t quit your job unless you have another source of income first. Publishing is a slow business and it’s rare to make a living from writing alone, especially in the beginning of your career).
  5. Cold call agents and publishers. (This will never lead to a sale. Ever. Follow the rules like everyone else).
  6. If you’re writing a novel, you shouldn’t be reading books. (Writers read. The good ones do, anyway).
  7. Avoid friendships with other writers; they’re your competition! (No. Just…no. There are enough readers to go around).
  8. Don’t bother editing; that’s the editor’s job. (Good luck selling a book full of lazy errors…).
  9. You have to pay for an editor before querying agents or publishers. (No, you don’t. Critique partners and beta readers can be a great help when self-editing your book. If you want an editor to review your novel–and you have the money for it–there are certainly good freelance editors willing to do the job. But it’s not a requirement).
  10. New writers have to pay to have their books published. (Absolutely not true. Steer clear of publishers or agents who require a fee. See Absolute Write’s Bewares, Recommendations, and Background Check forum and Writer Beware).

The gist? Write the best book you can, do your research, follow the guidelines.

So, help me out, fellow writers! What would you add?

 

10 Tips for Working with a Critique Group

Critique groups and beta readers are wonderful for growing your craft, whipping your book into shape before submission, and networking with other writers. But there are a few things to keep in mind:

  1. Take what makes sense to you–leave the rest. Don’t edit your book to suit someone’s opinion if you don’t share their opinion. It’s YOUR book.
  2. Not all critiques are created equal. For example, the advice of someone who reads widely in your genre may be better than the advice of someone who doesn’t.
  3. Not everyone will like you–or your writing. Taste is subjective. If the criticism is constructive and helpful in some way, fantastic. If not, don’t give it another thought. There are people who think John Green is long-winded, Stephen King is boring, and J.K. Rowling is unimaginative. TLDR: People be crazy.
  4. If you have more than one critique partner, you’ll receive conflicting advice. See #1. However, if more than one person shares the same opinion, listen up! You can still reject their advice if you disagree with it, but don’t disregard it without considering it.
  5. Don’t take it personally. It’s hard to see your work torn apart, but even the harshest criticism is rarely intended to hurt you.
  6. Don’t be afraid to ask questions. Never argue with a critique partner or try to change their opinion, but if something is confusing–or you need suggestions for how to fix the issue–ask.
  7. Choose a group that suits your needs. Maybe you need accountability, and sharing one chapter at a time as it’s written will work best for you. Or perhaps you’re not ready to share your work until the book is finished. Your needs may even require more than one group. I have a critique group for children’s books and another for romance.
  8.  It’s okay to walk away. If a critique group isn’t working for you, leave (politely, of course). Find the people who motivate and encourage you.
  9. Don’t discount online groups or forums. My critique group for children’s books is comprised of writers I know in real life, but my romance group is made up of women I haven’t met in person–yet. Note: Inked Voices is a great resource for critique groups that “meet” online.
  10. Reciprocate. Users are losers.

“Don’t take criticism personally; take from it what’s useful. Apply it and move on to something better.” — Catherine Tate